Thanks to all those who attended our 2017 festival – it was out biggest turnout to date! We had a few packs screenings, some great conversations and debates and some great film makers attending showing off their films, leading discussions and explaining their work and radical approach to film making.
You can see various pictures from some of the screenings on our Facebook page: https://www.facebook.com/RadicalFilmFestival/
If you have any comments, feedback or suggestions to help us with future festivals please get in touch via email (see the contact page)
We’re taking a short break now but the organising group will be getting together in the new year to start planning the 2018 festival!
Thursday 28th September – 8pm
From celebration and ceremony to war and finally revolution this silent film uses archival footage from newsreels of 1912 to 1917 to tell us the story of the final few years of the long-lasting reign of the Romanov Dynasty. Bristol based guitarist and composer, Stereocilia, uses analog synths and live looping techniques to create dense, rich layers of sound.
Presented by Bristol Radical Film Festival and Scalarama Bristol at Roll For The Soul
Roll for the Soul
Quay Street, Bristol
Places are very limited so please buy your ticket in advance as we’re likely to sell out and tickets may not be available on the door.
Facebook event: https://www.facebook.com/events/114665412532914/
We’re very please to release our full programme for this years festival which includes a broad range of documentary, drama, contemporary and historical films, screenings and discussions over seven sessions from the 13th – 15th October.
All tickets are available from Party For The People and cost the reasonable price of £6 for full price tickets and £4 for any concessions – and our festival pass, which gets you into all events, costs just £30! Most of our screenings have intros, panels or Q&As with them – so we hope to make the festival interactive (in an analog way)!
See you in October!
Bristol Radical Film Festival – 13th – 15th October 2017
And WE’RE BACK! This year – at Trinity! We’ve got a great line up of films from around the world showcasing the best in radical cinema. We’re just finalising the programme in the next few weeks – so keep an eye out for the programme launch.
As always, we have a short film programme that features the best of new radical short form video from around the world and those wonderful rarities you won’t find at any other event in the city.
We’ll be launching the full programme shortly and tickets will be available soon. In the meantime, like our event page on Facebook.
If you’ve never heard of filmmaker Colin Thomas, now’s the time to find out about the legacy of his counter cultural work, much of which was made in Bristol. Come to our first collaboration with Bristol Festival of Ideas at the Watershed, on May 7th.
Born and brought up in Wales but for many years based in Bristol, director and producer Colin Thomas has more than half a lifetime of innovative, restless, rebellious filmmaking under his belt. In his time at the BBC until 1978, when he resigned over an issue of censorship of a programme he made in Northern Ireland, and subsequently as an independent producer, for 50 years Thomas has never tired of, indeed even enjoyed, upsetting conventional wisdom and disrupting the status quo. Employing radical and provocative ideas in documentary, drama and animation, he has struggled consistently to make television a vehicle for useful purpose and to help us understand our own history, the better to ensure that we don’t become a prisoner of someone else’s.
In conversation with David Parker, he will explore this lifelong approach to filmmaking with extracts from documentaries such as Swallow Your Leader, Donald Crowhurst – Sponsored for Heroism and Reel Truth, from the award-winning series Animated Conversations, and from programmes focusing on history, including the groundbreaking series The Dragon Has Two Tongues.
After the session there will be a screening of an episode from a series which encapsulates the themes which have underpinned his lifetime approach to programme making, Till the Boys Come Home Programme Three – A Brush With Death.